Jeremy Siepmann - An Intoduction to Dvorak Symphony No 9

CD1

	1		01. 1. A quiet beginning: sorrow syncopation and sequence 2:38 6.03 Mb 320 Kbp	close 0.12 $ Buy
	2		02. 2. Instrumental colour as a prime element: clarinets and bassoons an outburs... 0:57 2.18 Mb 320 Kbp	close 0.04 $ Buy
	3		03. 3. The opening tune again with different instrumental colouring now flutes ... 0:32 1.22 Mb 320 Kbp	close 0.02 $ Buy
	4		04. 4. The first big surprise: strings shattering drumbeats shrieks from flutes... 0:37 1.41 Mb 320 Kbp	close 0.03 $ Buy
	5		05. 5. Cellos and basses take us into a new key while flutes and oboes dance in s... 0:32 1.22 Mb 320 Kbp	close 0.02 $ Buy
	6		06. 6. Horns violas and cellos introduce a new idea soon to evolve into the ma... 0:31 1.19 Mb 320 Kbp	close 0.02 $ Buy
	7		07. 7. A tiny detail from the opening culminates in a wild drumming that heralds ... 0:43 1.64 Mb 320 Kbp	close 0.03 $ Buy
	8		08. 8. Introduction complete 2:05 4.77 Mb 320 Kbp	close 0.10 $ Buy
	9		09. 9. A solo horn introduces the main theme perkily answered by bassoons and horns 0:39 1.49 Mb 320 Kbp	close 0.03 $ Buy
	10		10. 10. The theme moves to G major answering phrase from flutes oboes bassoons... 0:33 1.26 Mb 320 Kbp	close 0.03 $ Buy
	11		11. 11. Long crescendo tremolo strings back to tonic and biggest statement yet ... 0:39 1.49 Mb 320 Kbp	close 0.03 $ Buy
	12		12. 12. Transition to the secondary theme through the use of sequence. Sonata for... 1:36 3.67 Mb 320 Kbp	close 0.07 $ Buy
	13		13. 13. Three-bar groupings and again the use of sequence spelling out a chord 0:34 1.30 Mb 320 Kbp	close 0.03 $ Buy
	14		14. 14. The sequence continues to rise and the four-bar phrase returns as the st... 0:18 0.69 Mb 320 Kbp	close 0.01 $ Buy
	15		15. 15. The first violins start off the next phrase but the melodic shape is mor... 0:21 0.80 Mb 320 Kbp	close 0.02 $ Buy
	16		16. 16. The violins fall silent the violas and cellos answer with a new figure ... 0:09 0.35 Mb 320 Kbp	close 0.01 $ Buy
	17		17. 17. So now we have a two-tear group made up of statement and answer 0:07 0.27 Mb 321 Kbp	close 0.01 $ Buy
	18		18. 18. The same thing again though not quite the same 0:05 0.20 Mb 321 Kbp	close 0.00 $ Buy
	19		19. 19. Transition complete. The secondary theme arrives with French horns as b... 1:00 2.29 Mb 320 Kbp	close 0.05 $ Buy
	20		20. 20. The bagpipe drone is taken over by cellos with their insistently repea... 0:19 0.73 Mb 320 Kbp	close 0.01 $ Buy
	21		21. 21. The tune is taken up by cellos and double-basses shadowed by the secon... 0:57 2.18 Mb 320 Kbp	close 0.04 $ Buy
	22		22. 22. The violins continue a pattern of steady pairs and the cellos and basses... 0:33 1.26 Mb 320 Kbp	close 0.03 $ Buy
	23		23. 23. Unexpectedly we find ourselves back with the secondary theme. A new idea... 0:26 0.99 Mb 320 Kbp	close 0.02 $ Buy
	24		24. 24. Again we hear the shortened version of the secondary theme followed by m... 0:33 1.26 Mb 320 Kbp	close 0.03 $ Buy
	25		25. 25. The suspense is heightened as everything slows down a soft still varian... 0:25 0.96 Mb 320 Kbp	close 0.02 $ Buy
	26		26. 26. This beautiful flute tune is said to resemble Swing Low Sweet Chariot 0:47 1.80 Mb 320 Kbp	close 0.04 $ Buy
	27		27. 27. A big crescendo leads to a final statement of the closing theme bringing... 1:16 2.90 Mb 320 Kbp	close 0.06 $ Buy
	28		28. 28. The development section begins with a conversation between cellos double... 1:09 2.63 Mb 320 Kbp	close 0.05 $ Buy
	29		29. 29. The beginning of the closing theme is taken up in turn by the horn picco... 0:18 0.69 Mb 320 Kbp	close 0.01 $ Buy
	30		30. 30. Sequential chirping from the oboes based on the answering part of the m... 0:18 0.69 Mb 320 Kbp	close 0.01 $ Buy
	31		31. 31. Much of the development comes from a diminution of the closing theme from... 0:19 0.73 Mb 320 Kbp	close 0.01 $ Buy
	32		32. 32. A tiny detail becomes a major ingredient giving an agitated quality to a... 0:31 1.19 Mb 320 Kbp	close 0.02 $ Buy
	33		33. 33. Through a sequence of keys so quickly that it is hard to keep track of th... 0:37 1.42 Mb 320 Kbp	close 0.03 $ Buy
	34		34. 34. The main theme from massed cellos and double-basses topped by two trumpe... 1:46 4.05 Mb 320 Kbp	close 0.08 $ Buy
	35		35. 35. After that major climax we arrive at the threshold of the recapitulation... 1:04 2.45 Mb 320 Kbp	close 0.05 $ Buy
	36		36. 36. Dvorak flouts tradition by setting the secondary theme and the closing th... 1:10 2.67 Mb 320 Kbp	close 0.05 $ Buy
	37		37. 37. The tumultuous convulsion of the coda brings the first movement to its ep... 3:09 7.21 Mb 320 Kbp	close 0.14 $ Buy
	38		38. 38. Humpty Dumpty: putting the bits back together again 0:20 0.77 Mb 320 Kbp	close 0.02 $ Buy
	39		39. 39. First movement complete 11:36 26.56 Mb 320 Kbp	close 0.53 $ Buy
	40		40. 40. The very opening chords unmistakably herald the arrival of something special 1:06 2.52 Mb 320 Kbp	close 0.05 $ Buy
	41		41. 41. The role of instrumentation in setting the scene 1:10 2.67 Mb 320 Kbp	close 0.05 $ Buy
	42		42. 42. and in enhancing the quality of one of the most famous tunes in symphonic... 1:29 3.40 Mb 320 Kbp	close 0.07 $ Buy
	43		43. 43. The cor anglais is joined by the clarinet creating a fascinating change ... 1:08 2.60 Mb 320 Kbp	close 0.05 $ Buy
	44		44. 44. For the closing part of the tune there is another new sonority: cor angl... 0:24 0.92 Mb 320 Kbp	close 0.02 $ Buy
	45		45. 45. The closing bar is repeated by clarinets and bassoons the horn adding a ... 0:28 1.07 Mb 320 Kbp	close 0.02 $ Buy
	46		46. 46. Back to the start to hear the whole of the story so far this time withou... 2:24 5.50 Mb 320 Kbp	close 0.11 $ Buy
	47		47. 47. A change of scoring: the slow opening chords return this time played by ... 1:14 2.83 Mb 320 Kbp	close 0.06 $ Buy
	48		48. 48. The changes in scoring are just beginning 2:35 5.92 Mb 320 Kbp	close 0.12 $ Buy
	49		49. 49. The flutes and oboes introduce a new tune over hushed tremolo strings 1:05 2.48 Mb 320 Kbp	close 0.05 $ Buy
	50		50. 50. A memorable combination of continuous asymmetrical melody with steady m... 1:28 3.36 Mb 320 Kbp	close 0.07 $ Buy
	51		51. 51. Back in that woodland glade the light and shadows have changed revealin... 1:33 3.55 Mb 320 Kbp	close 0.07 $ Buy
	52		52. 52. The next section is new and forward-looking yet also a kind of dream-rec... 1:30 3.44 Mb 320 Kbp	close 0.07 $ Buy
	53		54. 54. Subjectivity and expertise Sourek and Tovey disagree onwards into the ... 5:14 11.98 Mb 320 Kbp	close 0.24 $ Buy
	54		55. 55. Cue to whole movement 0:10 0.39 Mb 320 Kbp	close 0.01 $ Buy
	55		56. 56. Second movement complete 12:00 27.47 Mb 320 Kbp	close 0.55 $ Buy

CD2

	1		01. 01. Dvorak Beethoven and the Scherzo Dvorak purposely confuses the listene... 1:54 4.35 Mb 320 Kbp	close 0.09 $ Buy
	2		02. 02. Using a little fanfare Dvorak further builds up expectation before revea... 0:21 0.81 Mb 320 Kbp	close 0.02 $ Buy
	3		03. 03. When the theme is revealed we find that it is not exactly a tune 0:36 1.38 Mb 320 Kbp	close 0.03 $ Buy
	4		04. 04. Two little bursts of rhythm provide the seeds from which much of the move... 0:24 0.92 Mb 320 Kbp	close 0.02 $ Buy
	5		05. 05. It is the second half of the theme that dominates 0:22 0.84 Mb 320 Kbp	close 0.02 $ Buy
	6		06. 06. Back to the beginning to hear the whole of this opening section 0:48 1.84 Mb 320 Kbp	close 0.04 $ Buy
	7		07. 07. Without ever being remotely academic or intellectual there is much c... 0:20 0.77 Mb 320 Kbp	close 0.02 $ Buy
	8		08. 08. Dvorak s very Czech love of combining conflicting rhythms sometimes metres 2:31 5.76 Mb 320 Kbp	close 0.12 $ Buy
	9		09. 09. A clearly transitional passage obsessed with the rhythmic tag that both ... 0:30 1.15 Mb 320 Kbp	close 0.02 $ Buy
	10		10. 10. Sooner than we may have expected we seem to have arrived at the Trio sec... 1:07 2.56 Mb 320 Kbp	close 0.05 $ Buy
	11		11. 11. A new kind of tone quality sheds a subtly different light on the theme 0:35 1.34 Mb 320 Kbp	close 0.03 $ Buy
	12		12. 12. The flutes and oboes now chime in with an answering variant of the opening 0:21 0.81 Mb 320 Kbp	close 0.02 $ Buy
	13		13. 13. and the cellos and bassoons take up the original version of the theme. 0:43 1.64 Mb 320 Kbp	close 0.03 $ Buy
	14		14. 14. A false alarm: it was not the traditional Trio section at all but rather... 0:52 1.99 Mb 320 Kbp	close 0.04 $ Buy
	15		15. 15. Soon after a very rapid build the Scherzo proper does reach its final phase 1:13 2.79 Mb 320 Kbp	close 0.06 $ Buy
	16		16. 16. The orchestral texture thins dramatically and we approach what this time... 1:28 3.36 Mb 320 Kbp	close 0.07 $ Buy
	17		17. 17. The Trio section is reminiscent more of the Old World than the New 0:50 1.91 Mb 320 Kbp	close 0.04 $ Buy
	18		18. 18. In the second half of the Trio a new tune emerges a kind of Slavonic waltz 1:00 2.29 Mb 320 Kbp	close 0.05 $ Buy
	19		19. 19. The main theme of the Trio returns against a much fuller orchestral backg... 0:36 1.38 Mb 320 Kbp	close 0.03 $ Buy
	20		20. 20. Then it is all a matter of repeats until we reach the coda which ends w... 1:15 2.87 Mb 320 Kbp	close 0.06 $ Buy
	21		21. 21. Third movement complete 8:07 18.58 Mb 320 Kbp	close 0.37 $ Buy
	22		22. 22. Like the first movement the fourth begins not with its main theme but wi... 0:47 1.80 Mb 320 Kbp	close 0.04 $ Buy
	23		23. 23. The main theme: an imposing march introduced by trumpets and trombones ... 0:48 1.83 Mb 320 Kbp	close 0.04 $ Buy
	24		24. 24. The main theme part two. A codetta-like passage closes off the march and... 1:01 2.33 Mb 320 Kbp	close 0.05 $ Buy
	25		25. 25. The transitional theme while outwardly contrasting is actually a hidd... 0:53 2.03 Mb 320 Kbp	close 0.04 $ Buy
	26		26. 26. A point of future obsession 0:16 0.62 Mb 320 Kbp	close 0.01 $ Buy
	27		27. 27. The second half of this transitional theme is given to the winds as soo... 0:16 0.62 Mb 320 Kbp	close 0.01 $ Buy
	28		28. 28. The obsession takes root with a ten-fold repetition before the arriva... 0:57 2.18 Mb 320 Kbp	close 0.04 $ Buy
	29		29. 29. The hidden traps in sonata-form terminology: second main theme vs. sec... 2:31 5.76 Mb 320 Kbp	close 0.12 $ Buy
	30		30. 30. The unexpected entry and subsequent ubiquity of Three Blind Mice 1:23 3.17 Mb 320 Kbp	close 0.06 $ Buy
	31		31. 31. We meet the mice again now in the cellos and double-basses where they p... 0:36 1.38 Mb 320 Kbp	close 0.03 $ Buy
	32		32. 32. More Three Blind Mice material 0:30 1.15 Mb 320 Kbp	close 0.02 $ Buy
	33		33. 33. The mice return to the basement where the bassoons have joined the cello... 0:19 0.73 Mb 320 Kbp	close 0.01 $ Buy
	34		34. 34. Next they are back with the clarinets now joined by pizzicato violas w... 0:18 0.69 Mb 320 Kbp	close 0.01 $ Buy
	35		35. 35. Now they return to the high winds delicately trilling 0:15 0.58 Mb 320 Kbp	close 0.01 $ Buy
	36		36. 36. Relief at last: the mice back off making way for a reminder of the main... 0:34 1.30 Mb 320 Kbp	close 0.03 $ Buy
	37		37. 37. The mice yield to woodpeckers clarinets the main theme or its opening... 1:07 2.56 Mb 320 Kbp	close 0.05 $ Buy
	38		38. 38. The triplets of the transitional theme are now handed down through stri... 0:23 0.88 Mb 320 Kbp	close 0.02 $ Buy
	39		39. 39. Reminders of past movements begin to fly by thick and fast sometimes ve... 0:28 1.07 Mb 320 Kbp	close 0.02 $ Buy
	40		40. 40. In fact there are three bits of quotation going on here simultaneously 0:23 0.88 Mb 320 Kbp	close 0.02 $ Buy
	41		41. 41. The violas react every time the Goin Home theme is quoted by the winds 0:13 0.50 Mb 320 Kbp	close 0.01 $ Buy
	42		42. 42. The rhythm of the opening of the Goin Home theme dominates transforme... 0:35 1.34 Mb 320 Kbp	close 0.03 $ Buy
	43		43. 43. The march theme reappears as a Mendelssohnian fairy the main theme from ... 1:55 4.39 Mb 320 Kbp	close 0.09 $ Buy
	44		44. 44. We reach an interesting point: have we heard the beginning of the recapit... 1:05 2.48 Mb 320 Kbp	close 0.05 $ Buy
	45		45. 45. Perhaps this is it? Back for a reminder of the theme proper as we first ... 1:41 3.86 Mb 320 Kbp	close 0.08 $ Buy
	46		46. 46. Tovey places the start of the recapitulation here 1:27 3.32 Mb 320 Kbp	close 0.07 $ Buy
	47		47. 47. The main theme recast in pathetic rather than heroic terms - and with mag... 1:51 4.24 Mb 320 Kbp	close 0.08 $ Buy
	48		48. 48. This unexpected crisis in confidence plays a major role in the overall dr... 1:49 4.16 Mb 320 Kbp	close 0.08 $ Buy
	49		49. 49. The main theme returns - not complete but chopped up into shorter and sh... 1:30 3.44 Mb 320 Kbp	close 0.07 $ Buy
	50		50. 50. A glorious thematic stew high drama a powerful build-up... but then? 0:56 2.14 Mb 320 Kbp	close 0.04 $ Buy
	51		51. 51. The dramatic highpoint of the movement an astonishing transformation bu... 1:26 3.29 Mb 320 Kbp	close 0.07 $ Buy
	52		52. 52. The same chords again this time blasted out by the entire wind and brass... 1:09 2.64 Mb 320 Kbp	close 0.05 $ Buy
	53		53. 53. Now we are into the finishing stretch but the surprises continue to the ... 1:42 3.90 Mb 320 Kbp	close 0.08 $ Buy
	54		54. 54. Summary context and cue into the whole movement 1:05 2.48 Mb 320 Kbp	close 0.05 $ Buy
	55		55. 55. Fourth movement complete 11:05 25.37 Mb 320 Kbp	close 0.51 $ Buy

CD1

	1		01. 1. A quiet beginning: sorrow syncopation and sequence 2:38 11.27 Mb 598 Kbp	close 0.17 $ Buy
	2		02. 2. Instrumental colour as a prime element: clarinets and bassoons an outburs... 0:57 3.60 Mb 529 Kbp	close 0.05 $ Buy
	3		03. 3. The opening tune again with different instrumental colouring now flutes ... 0:32 2.08 Mb 544 Kbp	close 0.03 $ Buy
	4		04. 4. The first big surprise: strings shattering drumbeats shrieks from flutes... 0:37 2.73 Mb 618 Kbp	close 0.04 $ Buy
	5		05. 5. Cellos and basses take us into a new key while flutes and oboes dance in s... 0:32 2.01 Mb 527 Kbp	close 0.03 $ Buy
	6		06. 6. Horns violas and cellos introduce a new idea soon to evolve into the ma... 0:31 2.14 Mb 578 Kbp	close 0.03 $ Buy
	7		07. 7. A tiny detail from the opening culminates in a wild drumming that heralds ... 0:43 3.28 Mb 640 Kbp	close 0.05 $ Buy
	8		08. 8. Introduction complete 2:05 8.11 Mb 543 Kbp	close 0.12 $ Buy
	9		09. 9. A solo horn introduces the main theme perkily answered by bassoons and horns 0:39 2.65 Mb 570 Kbp	close 0.04 $ Buy
	10		10. 10. The theme moves to G major answering phrase from flutes oboes bassoons... 0:33 2.47 Mb 626 Kbp	close 0.04 $ Buy
	11		11. 11. Long crescendo tremolo strings back to tonic and biggest statement yet ... 0:39 3.09 Mb 664 Kbp	close 0.05 $ Buy
	12		12. 12. Transition to the secondary theme through the use of sequence. Sonata for... 1:36 6.52 Mb 569 Kbp	close 0.10 $ Buy
	13		13. 13. Three-bar groupings and again the use of sequence spelling out a chord 0:34 2.38 Mb 587 Kbp	close 0.04 $ Buy
	14		14. 14. The sequence continues to rise and the four-bar phrase returns as the st... 0:18 1.26 Mb 588 Kbp	close 0.02 $ Buy
	15		15. 15. The first violins start off the next phrase but the melodic shape is mor... 0:21 1.40 Mb 560 Kbp	close 0.02 $ Buy
	16		16. 16. The violins fall silent the violas and cellos answer with a new figure ... 0:09 0.67 Mb 620 Kbp	close 0.01 $ Buy
	17		17. 17. So now we have a two-tear group made up of statement and answer 0:07 0.46 Mb 554 Kbp	close 0.01 $ Buy
	18		18. 18. The same thing again though not quite the same 0:05 0.32 Mb 536 Kbp	close 0.00 $ Buy
	19		19. 19. Transition complete. The secondary theme arrives with French horns as b... 1:00 4.36 Mb 608 Kbp	close 0.07 $ Buy
	20		20. 20. The bagpipe drone is taken over by cellos with their insistently repea... 0:19 1.38 Mb 609 Kbp	close 0.02 $ Buy
	21		21. 21. The tune is taken up by cellos and double-basses shadowed by the secon... 0:57 4.37 Mb 641 Kbp	close 0.07 $ Buy
	22		22. 22. The violins continue a pattern of steady pairs and the cellos and basses... 0:33 2.34 Mb 593 Kbp	close 0.04 $ Buy
	23		23. 23. Unexpectedly we find ourselves back with the secondary theme. A new idea... 0:26 1.85 Mb 597 Kbp	close 0.03 $ Buy
	24		24. 24. Again we hear the shortened version of the secondary theme followed by m... 0:33 2.36 Mb 598 Kbp	close 0.04 $ Buy
	25		25. 25. The suspense is heightened as everything slows down a soft still varian... 0:25 1.74 Mb 580 Kbp	close 0.03 $ Buy
	26		26. 26. This beautiful flute tune is said to resemble Swing Low Sweet Chariot 0:47 3.31 Mb 591 Kbp	close 0.05 $ Buy
	27		27. 27. A big crescendo leads to a final statement of the closing theme bringing... 1:16 5.77 Mb 637 Kbp	close 0.09 $ Buy
	28		28. 28. The development section begins with a conversation between cellos double... 1:09 5.01 Mb 609 Kbp	close 0.08 $ Buy
	29		29. 29. The beginning of the closing theme is taken up in turn by the horn picco... 0:18 1.20 Mb 558 Kbp	close 0.02 $ Buy
	30		30. 30. Sequential chirping from the oboes based on the answering part of the m... 0:18 1.25 Mb 579 Kbp	close 0.02 $ Buy
	31		31. 31. Much of the development comes from a diminution of the closing theme from... 0:19 1.33 Mb 587 Kbp	close 0.02 $ Buy
	32		32. 32. A tiny detail becomes a major ingredient giving an agitated quality to a... 0:31 2.19 Mb 590 Kbp	close 0.03 $ Buy
	33		33. 33. Through a sequence of keys so quickly that it is hard to keep track of th... 0:37 2.68 Mb 606 Kbp	close 0.04 $ Buy
	34		34. 34. The main theme from massed cellos and double-basses topped by two trumpe... 1:46 8.75 Mb 691 Kbp	close 0.13 $ Buy
	35		35. 35. After that major climax we arrive at the threshold of the recapitulation... 1:04 4.55 Mb 596 Kbp	close 0.07 $ Buy
	36		36. 36. Dvorak flouts tradition by setting the secondary theme and the closing th... 1:10 4.88 Mb 584 Kbp	close 0.07 $ Buy
	37		37. 37. The tumultuous convulsion of the coda brings the first movement to its ep... 3:09 14.85 Mb 658 Kbp	close 0.22 $ Buy
	38		38. 38. Humpty Dumpty: putting the bits back together again 0:20 1.38 Mb 578 Kbp	close 0.02 $ Buy
	39		39. 39. First movement complete 11:36 55.73 Mb 671 Kbp	close 0.84 $ Buy
	40		40. 40. The very opening chords unmistakably herald the arrival of something special 1:06 4.07 Mb 516 Kbp	close 0.06 $ Buy
	41		41. 41. The role of instrumentation in setting the scene 1:10 4.27 Mb 512 Kbp	close 0.06 $ Buy
	42		42. 42. and in enhancing the quality of one of the most famous tunes in symphonic... 1:29 5.86 Mb 552 Kbp	close 0.09 $ Buy
	43		43. 43. The cor anglais is joined by the clarinet creating a fascinating change ... 1:08 4.34 Mb 534 Kbp	close 0.07 $ Buy
	44		44. 44. For the closing part of the tune there is another new sonority: cor angl... 0:24 1.60 Mb 555 Kbp	close 0.02 $ Buy
	45		45. 45. The closing bar is repeated by clarinets and bassoons the horn adding a ... 0:28 1.69 Mb 504 Kbp	close 0.03 $ Buy
	46		46. 46. Back to the start to hear the whole of the story so far this time withou... 2:24 8.64 Mb 503 Kbp	close 0.13 $ Buy
	47		47. 47. A change of scoring: the slow opening chords return this time played by ... 1:14 5.09 Mb 576 Kbp	close 0.08 $ Buy
	48		48. 48. The changes in scoring are just beginning 2:35 9.78 Mb 529 Kbp	close 0.15 $ Buy
	49		49. 49. The flutes and oboes introduce a new tune over hushed tremolo strings 1:05 4.32 Mb 557 Kbp	close 0.06 $ Buy
	50		50. 50. A memorable combination of continuous asymmetrical melody with steady m... 1:28 5.80 Mb 552 Kbp	close 0.09 $ Buy
	51		51. 51. Back in that woodland glade the light and shadows have changed revealin... 1:33 6.72 Mb 605 Kbp	close 0.10 $ Buy
	52		52. 52. The next section is new and forward-looking yet also a kind of dream-rec... 1:30 5.98 Mb 557 Kbp	close 0.09 $ Buy
	53		54. 54. Subjectivity and expertise Sourek and Tovey disagree onwards into the ... 5:14 20.56 Mb 549 Kbp	close 0.31 $ Buy
	54		55. 55. Cue to whole movement 0:10 0.69 Mb 573 Kbp	close 0.01 $ Buy
	55		56. 56. Second movement complete 12:00 46.33 Mb 539 Kbp	close 0.69 $ Buy

CD2

	1		01. 01. Dvorak Beethoven and the Scherzo Dvorak purposely confuses the listene... 1:54 7.74 Mb 569 Kbp	close 0.12 $ Buy
	2		02. 02. Using a little fanfare Dvorak further builds up expectation before revea... 0:21 1.44 Mb 572 Kbp	close 0.02 $ Buy
	3		03. 03. When the theme is revealed we find that it is not exactly a tune 0:36 2.44 Mb 566 Kbp	close 0.04 $ Buy
	4		04. 04. Two little bursts of rhythm provide the seeds from which much of the move... 0:24 1.58 Mb 548 Kbp	close 0.02 $ Buy
	5		05. 05. It is the second half of the theme that dominates 0:22 1.37 Mb 519 Kbp	close 0.02 $ Buy
	6		06. 06. Back to the beginning to hear the whole of this opening section 0:48 3.92 Mb 684 Kbp	close 0.06 $ Buy
	7		07. 07. Without ever being remotely academic or intellectual there is much c... 0:20 1.41 Mb 589 Kbp	close 0.02 $ Buy
	8		08. 08. Dvorak s very Czech love of combining conflicting rhythms sometimes metres 2:31 10.61 Mb 589 Kbp	close 0.16 $ Buy
	9		09. 09. A clearly transitional passage obsessed with the rhythmic tag that both ... 0:30 2.08 Mb 581 Kbp	close 0.03 $ Buy
	10		10. 10. Sooner than we may have expected we seem to have arrived at the Trio sec... 1:07 4.34 Mb 543 Kbp	close 0.07 $ Buy
	11		11. 11. A new kind of tone quality sheds a subtly different light on the theme 0:35 2.51 Mb 600 Kbp	close 0.04 $ Buy
	12		12. 12. The flutes and oboes now chime in with an answering variant of the opening 0:21 1.48 Mb 590 Kbp	close 0.02 $ Buy
	13		13. 13. and the cellos and bassoons take up the original version of the theme. 0:43 3.08 Mb 599 Kbp	close 0.05 $ Buy
	14		14. 14. A false alarm: it was not the traditional Trio section at all but rather... 0:52 3.51 Mb 566 Kbp	close 0.05 $ Buy
	15		15. 15. Soon after a very rapid build the Scherzo proper does reach its final phase 1:13 5.68 Mb 652 Kbp	close 0.09 $ Buy
	16		16. 16. The orchestral texture thins dramatically and we approach what this time... 1:28 5.79 Mb 552 Kbp	close 0.09 $ Buy
	17		17. 17. The Trio section is reminiscent more of the Old World than the New 0:50 3.48 Mb 583 Kbp	close 0.05 $ Buy
	18		18. 18. In the second half of the Trio a new tune emerges a kind of Slavonic waltz 1:00 4.21 Mb 588 Kbp	close 0.06 $ Buy
	19		19. 19. The main theme of the Trio returns against a much fuller orchestral backg... 0:36 2.74 Mb 638 Kbp	close 0.04 $ Buy
	20		20. 20. Then it is all a matter of repeats until we reach the coda which ends w... 1:15 5.16 Mb 576 Kbp	close 0.08 $ Buy
	21		21. 21. Third movement complete 8:07 36.99 Mb 637 Kbp	close 0.55 $ Buy
	22		22. 22. Like the first movement the fourth begins not with its main theme but wi... 0:47 3.55 Mb 632 Kbp	close 0.05 $ Buy
	23		23. 23. The main theme: an imposing march introduced by trumpets and trombones ... 0:48 3.96 Mb 692 Kbp	close 0.06 $ Buy
	24		24. 24. The main theme part two. A codetta-like passage closes off the march and... 1:01 5.28 Mb 725 Kbp	close 0.08 $ Buy
	25		25. 25. The transitional theme while outwardly contrasting is actually a hidd... 0:53 3.89 Mb 615 Kbp	close 0.06 $ Buy
	26		26. 26. A point of future obsession 0:16 1.16 Mb 604 Kbp	close 0.02 $ Buy
	27		27. 27. The second half of this transitional theme is given to the winds as soo... 0:16 1.20 Mb 627 Kbp	close 0.02 $ Buy
	28		28. 28. The obsession takes root with a ten-fold repetition before the arriva... 0:57 4.24 Mb 623 Kbp	close 0.06 $ Buy
	29		29. 29. The hidden traps in sonata-form terminology: second main theme vs. sec... 2:31 10.48 Mb 582 Kbp	close 0.16 $ Buy
	30		30. 30. The unexpected entry and subsequent ubiquity of Three Blind Mice 1:23 5.83 Mb 588 Kbp	close 0.09 $ Buy
	31		31. 31. We meet the mice again now in the cellos and double-basses where they p... 0:36 2.75 Mb 638 Kbp	close 0.04 $ Buy
	32		32. 32. More Three Blind Mice material 0:30 1.96 Mb 546 Kbp	close 0.03 $ Buy
	33		33. 33. The mice return to the basement where the bassoons have joined the cello... 0:19 1.33 Mb 588 Kbp	close 0.02 $ Buy
	34		34. 34. Next they are back with the clarinets now joined by pizzicato violas w... 0:18 1.18 Mb 549 Kbp	close 0.02 $ Buy
	35		35. 35. Now they return to the high winds delicately trilling 0:15 1.00 Mb 560 Kbp	close 0.02 $ Buy
	36		36. 36. Relief at last: the mice back off making way for a reminder of the main... 0:34 2.36 Mb 580 Kbp	close 0.04 $ Buy
	37		37. 37. The mice yield to woodpeckers clarinets the main theme or its opening... 1:07 4.48 Mb 560 Kbp	close 0.07 $ Buy
	38		38. 38. The triplets of the transitional theme are now handed down through stri... 0:23 1.64 Mb 596 Kbp	close 0.02 $ Buy
	39		39. 39. Reminders of past movements begin to fly by thick and fast sometimes ve... 0:28 1.89 Mb 566 Kbp	close 0.03 $ Buy
	40		40. 40. In fact there are three bits of quotation going on here simultaneously 0:23 1.54 Mb 561 Kbp	close 0.02 $ Buy
	41		41. 41. The violas react every time the Goin Home theme is quoted by the winds 0:13 0.89 Mb 571 Kbp	close 0.01 $ Buy
	42		42. 42. The rhythm of the opening of the Goin Home theme dominates transforme... 0:35 2.82 Mb 676 Kbp	close 0.04 $ Buy
	43		43. 43. The march theme reappears as a Mendelssohnian fairy the main theme from ... 1:55 8.78 Mb 640 Kbp	close 0.13 $ Buy
	44		44. 44. We reach an interesting point: have we heard the beginning of the recapit... 1:05 5.33 Mb 688 Kbp	close 0.08 $ Buy
	45		45. 45. Perhaps this is it? Back for a reminder of the theme proper as we first ... 1:41 8.70 Mb 722 Kbp	close 0.13 $ Buy
	46		46. 46. Tovey places the start of the recapitulation here 1:27 5.89 Mb 567 Kbp	close 0.09 $ Buy
	47		47. 47. The main theme recast in pathetic rather than heroic terms - and with mag... 1:51 7.52 Mb 567 Kbp	close 0.11 $ Buy
	48		48. 48. This unexpected crisis in confidence plays a major role in the overall dr... 1:49 7.14 Mb 549 Kbp	close 0.11 $ Buy
	49		49. 49. The main theme returns - not complete but chopped up into shorter and sh... 1:30 6.85 Mb 638 Kbp	close 0.10 $ Buy
	50		50. 50. A glorious thematic stew high drama a powerful build-up... but then? 0:56 4.41 Mb 659 Kbp	close 0.07 $ Buy
	51		51. 51. The dramatic highpoint of the movement an astonishing transformation bu... 1:26 5.49 Mb 534 Kbp	close 0.08 $ Buy
	52		52. 52. The same chords again this time blasted out by the entire wind and brass... 1:09 4.87 Mb 592 Kbp	close 0.07 $ Buy
	53		53. 53. Now we are into the finishing stretch but the surprises continue to the ... 1:42 8.14 Mb 669 Kbp	close 0.12 $ Buy
	54		54. 54. Summary context and cue into the whole movement 1:05 4.48 Mb 577 Kbp	close 0.07 $ Buy
	55		55. 55. Fourth movement complete 11:05 53.55 Mb 675 Kbp	close 0.80 $ Buy