Composers
Ida Rose Esther Gotkovsky (born 26 August 1933) is a French composer and pianist. She is currently a professor of music theory at the Conservatoire National Superieur de Musique in France.
Gotkovsky was born on 26 August 1933 in Calais, France. Her father was the violinist Jacques Gotkovsky of the Loewenguth Quartet and her mother also played the violin. Both her brother Ivar (a pianist) and her sister Nell (a violinist) became accomplished musicians. Gotkovsky began composing at the age of eight. She studied at the Paris Conservatoire, where here teachers included Messian and Nadia Boulanger. In 1967 Gotkovsky was awarded the Prix Lili Boulanger for her compositions.
Gotkovsky’s output includes chamber music, symphonies, instrumental music, vocal music, ballets, and operas. Notably, she has contributed many solo and chamber pieces for the saxophone. Her Concerto for Trombone (1978) has been compared to Messiaen, and her Suite for Tuba and piano (1959) reveals influence of Hindemith.[2] She is also recognized for having written important works for Band.[3][4]
Gotkovsky's music credo is: "To create a universal musical art and to realize the oneness of musical expression through the ages by means of a contemporary musical language with powerful structures."
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Biography
Ida Rose Esther Gotkovsky (born 26 August 1933) is a French composer and pianist. She is currently a professor of music theory at the Conservatoire National Superieur de Musique in France.
Gotkovsky was born on 26 August 1933 in Calais, France. Her father was the violinist Jacques Gotkovsky of the Loewenguth Quartet and her mother also played the violin. Both her brother Ivar (a pianist) and her sister Nell (a violinist) became accomplished musicians. Gotkovsky began composing at the age of eight. She studied at the Paris Conservatoire, where here teachers included Messian and Nadia Boulanger. In 1967 Gotkovsky was awarded the Prix Lili Boulanger for her compositions.
Gotkovsky’s output includes chamber music, symphonies, instrumental music, vocal music, ballets, and operas. Notably, she has contributed many solo and chamber pieces for the saxophone. Her Concerto for Trombone (1978) has been compared to Messiaen, and her Suite for Tuba and piano (1959) reveals influence of Hindemith.[2] She is also recognized for having written important works for Band.[3][4]
Gotkovsky's music credo is: "To create a universal musical art and to realize the oneness of musical expression through the ages by means of a contemporary musical language with powerful structures."