Composers
Henryk Mikołaj Górecki (Polish: [ˈxɛnrɨk mʲiˈkɔwaj ɡuˈrɛtski]; English pronunciation Go-RET-ski;[1] December 6, 1933 – November 12, 2010)[2][3] was a Polish composer of contemporary classical music. Górecki became a leading figure of the Polish avant-garde during the post-Stalin cultural thaw.[4][5] His Webernian-influenced serialist works of the 1950s and 1960s were characterized by adherence to dissonant modernism and drew influence from Luigi Nono, Karlheinz Stockhausen,[6] Krzysztof Penderecki and Kazimierz Serocki.[7] He continued in this direction throughout the 1960s, but by the mid-1970s had changed to a less complex sacred minimalist sound, exemplified by the transitional Symphony No. 2 and the hugely popular Symphony No. 3 (Symphony of Sorrowful Songs). This later style developed through several other distinct phases, from such works as his 1979 Beatus Vir,[8] to the 1981 choral hymn Miserere, the 1993 Kleines Requiem für eine Polka[9] and his requiem Good Night.[10]
His name remained largely unknown outside Poland until the mid-to late 1980s, and his fame arrived in the 1990s.[11] In 1992, 15 years after it was composed, a recording of his Third Symphony, Symphony of Sorrowful Songs—recorded with soprano Dawn Upshaw and released to commemorate the memory of those lost during the Holocaust—became a worldwide commercial and critical success, selling more than a million copies and vastly exceeding the typical lifetime sales of a recording of symphonic music by a 20th-century composer. As surprised as anyone at its popularity, Górecki said, "Perhaps people find something they need in this piece of music [...] somehow I hit the right note, something they were missing. Something somewhere had been lost to them. I feel that I instinctively knew what they needed."[12] This popular acclaim did not generate wide interest in Górecki's other works,[13] and he pointedly resisted the temptation to repeat earlier success, or compose for commercial reward.
Apart from two brief periods studying in Paris and a short time living in Berlin, Górecki spent most of his life in southern Poland.
Recently Added
| Country: | Poland |
| Period: | XX age, Minimalism |
Biography
Henryk Mikołaj Górecki (Polish: [ˈxɛnrɨk mʲiˈkɔwaj ɡuˈrɛtski]; English pronunciation Go-RET-ski;[1] December 6, 1933 – November 12, 2010)[2][3] was a Polish composer of contemporary classical music. Górecki became a leading figure of the Polish avant-garde during the post-Stalin cultural thaw.[4][5] His Webernian-influenced serialist works of the 1950s and 1960s were characterized by adherence to dissonant modernism and drew influence from Luigi Nono, Karlheinz Stockhausen,[6] Krzysztof Penderecki and Kazimierz Serocki.[7] He continued in this direction throughout the 1960s, but by the mid-1970s had changed to a less complex sacred minimalist sound, exemplified by the transitional Symphony No. 2 and the hugely popular Symphony No. 3 (Symphony of Sorrowful Songs). This later style developed through several other distinct phases, from such works as his 1979 Beatus Vir,[8] to the 1981 choral hymn Miserere, the 1993 Kleines Requiem für eine Polka[9] and his requiem Good Night.[10]
His name remained largely unknown outside Poland until the mid-to late 1980s, and his fame arrived in the 1990s.[11] In 1992, 15 years after it was composed, a recording of his Third Symphony, Symphony of Sorrowful Songs—recorded with soprano Dawn Upshaw and released to commemorate the memory of those lost during the Holocaust—became a worldwide commercial and critical success, selling more than a million copies and vastly exceeding the typical lifetime sales of a recording of symphonic music by a 20th-century composer. As surprised as anyone at its popularity, Górecki said, "Perhaps people find something they need in this piece of music [...] somehow I hit the right note, something they were missing. Something somewhere had been lost to them. I feel that I instinctively knew what they needed."[12] This popular acclaim did not generate wide interest in Górecki's other works,[13] and he pointedly resisted the temptation to repeat earlier success, or compose for commercial reward.
Apart from two brief periods studying in Paris and a short time living in Berlin, Górecki spent most of his life in southern Poland.
Other compositions
Compositions
Compositions
Other compositions
