Composers
Marco Uccellini (Forlimpopoli, Forlì 1603 or 1610 - 10 December 1680) was an Italian Baroque violinist and composer.
Uccellini's life is poorly known. Born at Forlimpopoli, Forlì, he studied in the Assisi seminary. He became musical director (Capo degl’instrumentisti) of the Este court in Modena from 1641 to 1662, and was the musical director (maestro di cappella) of the Modena cathedral from 1647 to 1665. Afterwards he served as maestro di cappella at the Farnese court in Parma until his death. At the Farnese court, he composed operas and ballets, but none of this music survives; thus, he is mainly known today for his instrumental music.
Uccellini was one of a line of distinguished Italian violinist-composers in the first half of the 17th century. His sonatas for violin and continuo contributed to the development of an idiomatic style of writing for the violin (including virtuosic runs, leaps, and forays into high positions), expanding the instrument's technical capabilities and expressive range. Like other 17th-century Italian sonatas, Uccellini's consist of short contrasting sections (frequently dances) that flow one into another. Uccellini's innovations influenced a generation of Austro-German violinist-composers including Johann Heinrich Schmelzer, Heinrich Ignaz Biber, and Johann Jakob Walther.
Biography
Marco Uccellini (Forlimpopoli, Forlì 1603 or 1610 - 10 December 1680) was an Italian Baroque violinist and composer.
Uccellini's life is poorly known. Born at Forlimpopoli, Forlì, he studied in the Assisi seminary. He became musical director (Capo degl’instrumentisti) of the Este court in Modena from 1641 to 1662, and was the musical director (maestro di cappella) of the Modena cathedral from 1647 to 1665. Afterwards he served as maestro di cappella at the Farnese court in Parma until his death. At the Farnese court, he composed operas and ballets, but none of this music survives; thus, he is mainly known today for his instrumental music.
Uccellini was one of a line of distinguished Italian violinist-composers in the first half of the 17th century. His sonatas for violin and continuo contributed to the development of an idiomatic style of writing for the violin (including virtuosic runs, leaps, and forays into high positions), expanding the instrument's technical capabilities and expressive range. Like other 17th-century Italian sonatas, Uccellini's consist of short contrasting sections (frequently dances) that flow one into another. Uccellini's innovations influenced a generation of Austro-German violinist-composers including Johann Heinrich Schmelzer, Heinrich Ignaz Biber, and Johann Jakob Walther.
