Composers
Colin Matthews, OBE (born 13 February 1946) is an English composer of classical music.
Matthews was born in London in 1946; his older brother is the composer David Matthews. He read classics at the University of Nottingham, and then studied composition there with Arnold Whittall, and at the same time with Nicholas Maw. In the 1970s he taught at the University of Sussex, where he obtained a doctorate for his work on Mahler, an offshoot of his long collaboration with Deryck Cooke on the performing version of Mahler's Tenth Symphony. During this period he also worked at Aldeburgh with Benjamin Britten and Imogen Holst.[1] His music has been published principally by Faber Music since 1976.
In 1975 his orchestral Fourth Sonata (written 1974–75)[2] won the Scottish National Orchestra's Ian Whyte Award.[3] Subsequent orchestral works include the widely performed Night Music (1976), Sonata No. 5: Landscape (1977–81), and a First Cello Concerto, commissioned by the BBC for the 1984 Proms: these last two have been recorded by Unicorn-Kanchana.[4] In 1989 Cortège was given its first performance by the Orchestra of the Royal Opera House under Bernard Haitink, and Quatrain by the London Symphony Orchestra and Michael Tilson Thomas. This was the first of a series of LSO commissions, followed by Machines and Dreams for their 1991 Childhood Festival, Memorial in 1993 with Mstislav Rostropovich as conductor, and a Second Cello Concerto for Rostropovich in 1996. Matthews was Associate Composer with the LSO from 1992 until 1999. The orchestral version of Hidden Variables was a joint commission for the LSO and the New World Symphony Orchestra, who gave the American première in Miami under Michael Tilson Thomas in 1992; in the same year the Cleveland Orchestra gave the American première of Machines and Dreams. Collins Classics released a CD of Matthews' LSO commissions in 1996 to celebrate his 50th birthday.
The BBC commission Broken Symmetry was first performed by its dedicatees, the BBC Symphony Orchestra under Oliver Knussen, in March 1992, and repeated at the 1992 Proms. It was recorded in 1994, together with the Fourth Sonata and Suns Dance, by Deutsche Grammophon (a Grammy Award nomination); and it forms the third part of the huge choral/orchestral Renewal, commissioned by the BBC for the 50th anniversary of Radio 3 in September 1996. Renewal received the 1997 Royal Philharmonic Society Award for large-scale composition. The Dutch première of Cortège was given in December 1998 by the Concertgebouw Orchestra under Riccardo Chailly. The ballet score Hidden Variables, incorporating a new orchestral work, Unfolded Order, was commissioned by the Royal Ballet for the reopening of the Royal Opera House in December 1999.
Colin Matthews' chamber music includes four string quartets, two oboe quartets, a Divertimento for double string quartet (1982), and a substantial body of piano music. Between 1985 and 1994 he completed six major works for ensemble: Suns Dance for the London Sinfonietta (1985, reworked for the Royal Ballet as Pursuit), Two Part Invention (1987), The Great Journey (1981–88) — re-released on NMC — Contraflow, commissioned by the London Sinfonietta for the 1992 Huddersfield Festival, and two commissions for the Birmingham Contemporary Music Group, Hidden Variables (1989) and ...through the glass (1994), the latter given its first performance under Simon Rattle, who also conducted it in 1998 at the Proms and in Salzburg. Matthews' music was featured at the Almeida Festival in 1988, at the Bath Festival in 1990, at Tanglewood where he was visiting composer in 1998, 1991, 2006, 2008 and 2009, at the 1998 Suntory Summer Festival in Tokyo, at the 2003 Avanti! Festival in Finland, and the 2004 Berlin Festival.
The year 2000 saw four major premières: Two Tributes for the London Sinfonietta; Pluto, an addition to Holst's Planets, for the Hallé Orchestra and Kent Nagano, already widely performed; Aftertones, for the Huddersfield Choral Society; and Continuum, a large-scale work for soprano and ensemble commissioned by the Birmingham Contemporary Music Group for Cynthia Clarey and Simon Rattle, with performances in London, Cologne, Brussels, Amsterdam, Vienna and Birmingham. In the spring of 2001 the Philharmonia orchestra gave the first performance of Matthews' Horn Concerto, with Richard Watkins and Esa-Pekka Salonen. Also in 2001 he was commissioned to write a Fanfare to open the BBC Proms. Reflected Images, for Michael Tilson Thomas and the San Francisco Symphony Orchestra, received its première in October 2003.
Colin Matthews' 60th birthday was marked by 5 performances given at the 2006 BBC Proms. Recent works have included Berceuse for Dresden, written for the rebuilt Frauenkirche in Dresden and first performed there in November 2005 with the cellist Jan Vogler and the New York Philharmonic under Lorin Maazel; and Turning Point, commissioned by the Concertgebouw Orchestra and given by them under Markus Stenz in January 2007. His Violin Concerto was given by Leila Josefowicz and the City of Birmingham Symphony Orchestra under Oliver Knussen in September 2009.
From 2001-10 Matthews was Associate Composer with the Hallé Orchestra, and is now their Composer Emeritus. During this period he wrote a number of works for them, as well as a project involving the orchestration of all 24 of Debussy's Preludes, completed in May 2007 and recorded by Sir Mark Elder on the Hallé label. Alphabicycle Order, a major work for children's chorus, narrator and orchestra to poems by Christopher Reid, was premiered by the Hallé under Edward Gardner as part of the 2007 Manchester International Festival, and is also recorded on the Hallé label, together with the Horn Concerto. Commissioned by the Hallé Orchestra as part of their Mahler centenary celebrations, his "Crossing the Alps" for Chorus and Organ, on a text by William Wordsworth (The Prelude, Book VI), was first performed by the Hallé Choir, conducted by Markus Stenz, at the Bridgewater Hall, Manchester, in January 2010. Its German premiere, also under Stenz, was in the Philharmonie in Cologne, in January 2011, with the MDR Radio Chorus.
Three works were premiered in 2011 : “Night Rides” for the London Sinfonietta; “No Man’s Land”, to a text by Christopher Reid, for the City of London Sinfonia with soloists Ian Bostridge and Roderick Williams; and “Grand Barcarolle” for the Leipzig Gewandhaus Orchestra and Riccardo Chailly as part of their Beethoven cycle presented in Leipzig, Vienna, Paris and London in autumn 2011. Future commissions include String Quartet no 4 for the Elias Quartet, and works for the BBC Symphony Orchestra, Schubert Ensemble and Birmingham Contemporary Music Group.
| Country: | United Kingdom |
| Period: | Contemporary classical music |
Biography
Colin Matthews, OBE (born 13 February 1946) is an English composer of classical music.
Matthews was born in London in 1946; his older brother is the composer David Matthews. He read classics at the University of Nottingham, and then studied composition there with Arnold Whittall, and at the same time with Nicholas Maw. In the 1970s he taught at the University of Sussex, where he obtained a doctorate for his work on Mahler, an offshoot of his long collaboration with Deryck Cooke on the performing version of Mahler's Tenth Symphony. During this period he also worked at Aldeburgh with Benjamin Britten and Imogen Holst.[1] His music has been published principally by Faber Music since 1976.
In 1975 his orchestral Fourth Sonata (written 1974–75)[2] won the Scottish National Orchestra's Ian Whyte Award.[3] Subsequent orchestral works include the widely performed Night Music (1976), Sonata No. 5: Landscape (1977–81), and a First Cello Concerto, commissioned by the BBC for the 1984 Proms: these last two have been recorded by Unicorn-Kanchana.[4] In 1989 Cortège was given its first performance by the Orchestra of the Royal Opera House under Bernard Haitink, and Quatrain by the London Symphony Orchestra and Michael Tilson Thomas. This was the first of a series of LSO commissions, followed by Machines and Dreams for their 1991 Childhood Festival, Memorial in 1993 with Mstislav Rostropovich as conductor, and a Second Cello Concerto for Rostropovich in 1996. Matthews was Associate Composer with the LSO from 1992 until 1999. The orchestral version of Hidden Variables was a joint commission for the LSO and the New World Symphony Orchestra, who gave the American première in Miami under Michael Tilson Thomas in 1992; in the same year the Cleveland Orchestra gave the American première of Machines and Dreams. Collins Classics released a CD of Matthews' LSO commissions in 1996 to celebrate his 50th birthday.
The BBC commission Broken Symmetry was first performed by its dedicatees, the BBC Symphony Orchestra under Oliver Knussen, in March 1992, and repeated at the 1992 Proms. It was recorded in 1994, together with the Fourth Sonata and Suns Dance, by Deutsche Grammophon (a Grammy Award nomination); and it forms the third part of the huge choral/orchestral Renewal, commissioned by the BBC for the 50th anniversary of Radio 3 in September 1996. Renewal received the 1997 Royal Philharmonic Society Award for large-scale composition. The Dutch première of Cortège was given in December 1998 by the Concertgebouw Orchestra under Riccardo Chailly. The ballet score Hidden Variables, incorporating a new orchestral work, Unfolded Order, was commissioned by the Royal Ballet for the reopening of the Royal Opera House in December 1999.
Colin Matthews' chamber music includes four string quartets, two oboe quartets, a Divertimento for double string quartet (1982), and a substantial body of piano music. Between 1985 and 1994 he completed six major works for ensemble: Suns Dance for the London Sinfonietta (1985, reworked for the Royal Ballet as Pursuit), Two Part Invention (1987), The Great Journey (1981–88) — re-released on NMC — Contraflow, commissioned by the London Sinfonietta for the 1992 Huddersfield Festival, and two commissions for the Birmingham Contemporary Music Group, Hidden Variables (1989) and ...through the glass (1994), the latter given its first performance under Simon Rattle, who also conducted it in 1998 at the Proms and in Salzburg. Matthews' music was featured at the Almeida Festival in 1988, at the Bath Festival in 1990, at Tanglewood where he was visiting composer in 1998, 1991, 2006, 2008 and 2009, at the 1998 Suntory Summer Festival in Tokyo, at the 2003 Avanti! Festival in Finland, and the 2004 Berlin Festival.
The year 2000 saw four major premières: Two Tributes for the London Sinfonietta; Pluto, an addition to Holst's Planets, for the Hallé Orchestra and Kent Nagano, already widely performed; Aftertones, for the Huddersfield Choral Society; and Continuum, a large-scale work for soprano and ensemble commissioned by the Birmingham Contemporary Music Group for Cynthia Clarey and Simon Rattle, with performances in London, Cologne, Brussels, Amsterdam, Vienna and Birmingham. In the spring of 2001 the Philharmonia orchestra gave the first performance of Matthews' Horn Concerto, with Richard Watkins and Esa-Pekka Salonen. Also in 2001 he was commissioned to write a Fanfare to open the BBC Proms. Reflected Images, for Michael Tilson Thomas and the San Francisco Symphony Orchestra, received its première in October 2003.
Colin Matthews' 60th birthday was marked by 5 performances given at the 2006 BBC Proms. Recent works have included Berceuse for Dresden, written for the rebuilt Frauenkirche in Dresden and first performed there in November 2005 with the cellist Jan Vogler and the New York Philharmonic under Lorin Maazel; and Turning Point, commissioned by the Concertgebouw Orchestra and given by them under Markus Stenz in January 2007. His Violin Concerto was given by Leila Josefowicz and the City of Birmingham Symphony Orchestra under Oliver Knussen in September 2009.
From 2001-10 Matthews was Associate Composer with the Hallé Orchestra, and is now their Composer Emeritus. During this period he wrote a number of works for them, as well as a project involving the orchestration of all 24 of Debussy's Preludes, completed in May 2007 and recorded by Sir Mark Elder on the Hallé label. Alphabicycle Order, a major work for children's chorus, narrator and orchestra to poems by Christopher Reid, was premiered by the Hallé under Edward Gardner as part of the 2007 Manchester International Festival, and is also recorded on the Hallé label, together with the Horn Concerto. Commissioned by the Hallé Orchestra as part of their Mahler centenary celebrations, his "Crossing the Alps" for Chorus and Organ, on a text by William Wordsworth (The Prelude, Book VI), was first performed by the Hallé Choir, conducted by Markus Stenz, at the Bridgewater Hall, Manchester, in January 2010. Its German premiere, also under Stenz, was in the Philharmonie in Cologne, in January 2011, with the MDR Radio Chorus.
Three works were premiered in 2011 : “Night Rides” for the London Sinfonietta; “No Man’s Land”, to a text by Christopher Reid, for the City of London Sinfonia with soloists Ian Bostridge and Roderick Williams; and “Grand Barcarolle” for the Leipzig Gewandhaus Orchestra and Riccardo Chailly as part of their Beethoven cycle presented in Leipzig, Vienna, Paris and London in autumn 2011. Future commissions include String Quartet no 4 for the Elias Quartet, and works for the BBC Symphony Orchestra, Schubert Ensemble and Birmingham Contemporary Music Group.
