Composers
Ariel Ramírez (4 September 1921 – 18 February 2010) was an Argentine composer, pianist and music director. He was considered "a chief exponent of Argentine folk music" and noted for his "iconic" musical compositions.[1]
Ramírez is known primarily for his Misa Criolla (1964).[2][3] It allowed him to travel around Europe and Latin America to build his reputation.[3] He had more than 300 compositions during his career and sold millions of albums.[4][5] By the time he died in 2010, his work was globally renowned.[4] Plácido Domingo, José Carreras and Mercedes Sosa are some of the artists to have recorded his work.[2] He was also associated with Miguel Brascó and Felix Luna.
Ariel Ramírez was born in Santa Fe, Argentina.[5] His father was a teacher and it had been thought Ramírez would also pursue this career path but the job lasted for just two days due to "discipline problems".[5] He pursued initially tango before switching to Argentine folklore.[5] He began his piano studies in Santa Fe, and soon became fascinated with the music of the gauchos and creoles in the mountains. He continued his studies in Córdoba, where he met the great Argentinian folk singer and songwriter Atahualpa Yupanqui and was influenced by him.[3] Following a suggestion from Yupanqui, he visited the North East of Argentina and deepened his research into the traditional rhythms of South America. He spent time in Mendoza and Buenos Aires.[3] At the same time continuing his academic studies as a composer at the National Conservatory of Music, in Buenos Aires.[3] In 1946 he made his first recording, with RCA. He made twenty records with RCA until 1956.
In 1964, the Ramírez' composition Misa Criolla marked the beginning of a period of high musical productivity for the composer which also heralded the premieres of the works Navidad Nuestra (1964), La Peregrinación (1964); Los caudillos (1965); Mujeres Argentinas (1969), and Alfonsina y el Mar (1969), all produced in collaboration with writer Félix Luna. Misa Criolla and Alfonsina y el Mar are probably his best known compositions.
Ramírez went on to study classical music in Madrid, Rome and mainly in Vienna, from 1950 to 1954. Back in Argentina, he collected over 400 folk and country songs and popular songs and founded the Compañía de Folklore Ariel Ramírez.[6]
Ramírez married Inés Cuello de Ramirez. Together they had two sons.
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Biography
Ariel Ramírez (4 September 1921 – 18 February 2010) was an Argentine composer, pianist and music director. He was considered "a chief exponent of Argentine folk music" and noted for his "iconic" musical compositions.[1]
Ramírez is known primarily for his Misa Criolla (1964).[2][3] It allowed him to travel around Europe and Latin America to build his reputation.[3] He had more than 300 compositions during his career and sold millions of albums.[4][5] By the time he died in 2010, his work was globally renowned.[4] Plácido Domingo, José Carreras and Mercedes Sosa are some of the artists to have recorded his work.[2] He was also associated with Miguel Brascó and Felix Luna.
Ariel Ramírez was born in Santa Fe, Argentina.[5] His father was a teacher and it had been thought Ramírez would also pursue this career path but the job lasted for just two days due to "discipline problems".[5] He pursued initially tango before switching to Argentine folklore.[5] He began his piano studies in Santa Fe, and soon became fascinated with the music of the gauchos and creoles in the mountains. He continued his studies in Córdoba, where he met the great Argentinian folk singer and songwriter Atahualpa Yupanqui and was influenced by him.[3] Following a suggestion from Yupanqui, he visited the North East of Argentina and deepened his research into the traditional rhythms of South America. He spent time in Mendoza and Buenos Aires.[3] At the same time continuing his academic studies as a composer at the National Conservatory of Music, in Buenos Aires.[3] In 1946 he made his first recording, with RCA. He made twenty records with RCA until 1956.
In 1964, the Ramírez' composition Misa Criolla marked the beginning of a period of high musical productivity for the composer which also heralded the premieres of the works Navidad Nuestra (1964), La Peregrinación (1964); Los caudillos (1965); Mujeres Argentinas (1969), and Alfonsina y el Mar (1969), all produced in collaboration with writer Félix Luna. Misa Criolla and Alfonsina y el Mar are probably his best known compositions.
Ramírez went on to study classical music in Madrid, Rome and mainly in Vienna, from 1950 to 1954. Back in Argentina, he collected over 400 folk and country songs and popular songs and founded the Compañía de Folklore Ariel Ramírez.[6]
Ramírez married Inés Cuello de Ramirez. Together they had two sons.
